
I STARTED USING Gravity around a year ago. Back then, it had a limited but useful set of features for Twitter and it kept me abreast my Twitter conversations without bogging down my overstressed laptop. Things have evolved in that year's time and now Gravity has become a fully integrated social networking client with additional support for Foursquare, Google Reader and Facebook. I can use it one-handed while hanging on street corners. I can let it auto-update while perching my phone in my car's instrument cluster and it shows interesting things like dynamically-refreshing Twitter search results. In my experience, Gravity lets me tag in and out of Facebook faster than with any other client. This sweet little program cost me 10 euro so I bought two of them and run them on different Nokia phones.
Continue reading "Happy Birthday Gravity" »

I'VE BEEN PRIVILEGED to work as a lackey for some very clever storytellers during the past 12 months and they have told me a lot about the history of recording stories in early digital productions. When I was young, every measurement, for even the tiniest of motions, had to be recorded by hand by the camera crew so that information could be replicated later. That's so old hat now and with impatient students wanting to render complicated visual effects on home computers we're often approaching points where the story gets subordinated to an editing suite. Clearly, the tools have evolved at an astonishing rate but if you look behind the credits of a well-received television series, you can see a large group of artists, working as a seamless team, creating imagery that convinces an audience to follow a story. I carry some exciting new tools, like small format HD cameras with quality sensors and file-based recording on board. I can walk into scenes and capture work that goes over the air to a production desk straightaway. But I don't pretend to be the high quailty practitioner.
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WE HAVE A TODDLER who is growing up digital. She knows how to slide through interfaces before she knows how to use the toilet. Because I'm not a big fan of glass cockpits, I'm restricting her use of touchscreens but I don't mind her pushing buttons to make things work. That's what she's doing with a digital dictaphone at right. Like a lot of American families, television is an almost constant presence in her daily life. This means she will watch more television before turning three than I did before turning 13. As a very young child, she has been viewing different kinds of screens and trying to manipulate different sorts of electronic media on a daily basis. Mia is growing up with electronic media as a normative part of her daily life. I wonder what's going to happen when she discovers her primary school is locked in the last century. I also wonder what the impact of daily media use is on very young minds.
I thought I wouldn't ever let her watch television on her own but she's able to turn on the main TV set, select a DVD, insert it, and push the play button. If it doesn't appeal, she can eject the platter and start again. The only way I can stop her using the set is by pulling the plug. She can switch on the mains power selector by experimenting with the outlets.
Continue reading "Growing Up Digital" »