Inside View

The Elegant Save-to-Kindle

BERNIE GOLDBACH in Golden | Screenshot of Klip.me | 144 words

SEVERAL TIMES A WEEK, I announce triumphantly that I've saved something to Kindle. It means I'm carrying the information in as clean a format as possible without the need to go online to see what I've downloaded. It feels very empowering to know I can flick through screens that help me revise content, prepare blog posts, and answer questions in my third level classrooms.

I enjoy my "send-to-kindle" routine via a bookmarklet that I've installed in Chrome and Internet Explorer. It's a process that hooks my Kindle e-mail address to Klip.me web services for free. If you've a Kindle, I recommend looking at the free service.

I'm finding, reading, sending and distilling more content now with this elegant send-to-Kindle service. I'm so happy with its reliability.

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File Sharing Involves More than Music

WE TEACH HOW TO MAKE e-books in a module at the Limerick Institute of Technology and we know some students acquire their books through file-sharing sites like the now-defunct Library.nu.

Until its closure on 15 February 2012, viewers could access an enormous collection, including nearly every essential textbook prescribed in the creative multimedia curriculum of LIT. The presence of Kindles in student backpacks from first to third level has boosted the appeal of electronic titles. I saw this trend emerging three years ago when I spotted a Bit Torrent seed in a shared Dropbox folder. The link allowed people to sync and download book titles related Adobe products. By 2010, this practise had become a private set of links, shared casually wherever wifi access was served on campus. But the real burst of activity happened when I saw Library.nu being discussed in a Facebook group. People were interested in reading dozens of the titles that Amazon was marketing and the easiest way to fill your Kobo, Nook or Kindle was to drop some things onto it from Library.nu. As the screenshot at left shows, around 1000 people per week visited this illegal book site from the States. Enough of them left behind a donation to make a handsome operating profit for Fidel Nunez, the NUIG graduate running the site.

The Easily Revised Mobile Reading Experience

I HAVE REDEFINED "mobile experience" because it is not difficult to find someone who owns a Kindle, a Kobo, or a Nook nowadays.

Right under the noses of those looking at how people use mobile data lurk biblophiles. They are reading living books. Dan York suggested this idea during a segment on For Immediate Release and he's writing about it on his Disruptive Conversations blog. He muses about a book being "more than just a fixed collection of text at a given point of time" and offers a treatment for a narrative that "evolves and changes over time". I like his thinking in this regard because it means our early 21st century concept of a book has changed.

The change is nearly mainstream too because Irish broadcasters, not known for their confidence with embracing new technology, now sprinkle words like "Kindle" and "iPad" into their radio minutes. These talking heads often buy and chat about e-ink they've read. While that's nice, Dan York points out an O'Reilly innovation that goes one step further.

Kindlegen Delivers

WE HAVE THOUSANDS of euro sunk into pretty software packages for e-publishing and I've discovered that it might be more worthwhile to teach creative multimedia students how to use the cryptic Kindlegen software instead.

I draw my conclusion after spending less than an hour to produce an eight page document. Things would have gone smoother if I was not required to create the source document with tables in Microsoft Word. Even so, Kindlegen delivered content that quickly dropped onto my Kindle for testing. I need to spend hours every day, engineering my work flow so an ePub sits at the end of every week's production line. When I do that, the lessons learned will flow directly into the e-publishing module we teach in the Limerick Institute of Technology.

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Kindle Touch available internationally for $139.

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I Listen Most Intently through Earbuds

ONE SIDE EFFECT of owning a Kindle is having to upgrade earbuds because the Kindle is really good at storing MP3 and buying Audible books.

I spread my audio experience across several platforms, mainly to avoid a flat battery on any one device. Although my preferred listening experience is through Pocket Casts on the iPod Touch, Zune's Music Player on my Nokia Lumia is also a brilliant option. However, the production values achieved on the Kindle through Audible.com books is superb.  So it's Pocket Casts (iOS ans Android), Zune subscriptions (Windows Phone) and Audible on Kindle. After less than a year with the Kindle, I've run out of space on the device. That's mainly because I'm carrying too many PDFs in the Kindle. I've decided to sort out that issue, keeping PDFs in Evernote on both the Lumia and the iPod Touch.

Sony eReader for Note Taking

AS A LOYAL KINDLE owner, I've discovered I want access to my notes on screen. That's something Sony's eReader does nicely so I've marked my eBay Wishlist accordingly.

The Kindle's wifi access works well where I live and work so I expect the Sony's on-board wifi to be the same. That means it will probably encounter wifi problems when trying to connect to the internet in many Irish wifi hotspots (places requiring a browser log-in) and it probably won't work well with the wifi on public transportation. But when it connect, it will give me access to more than two million titles in Sony's Reader Store.

We need more than one flavour of eReader because I think our children will see the day when they can borrow books from the local public library and that's easier done with the Sony eReader. It's also easy as a link to download Google public domain books with the Sony eReader.

I am planning to convert a lot of Mia's primary school books onto e-ink. When they go to the Sony PRS-T1, they will be in the lightest eReader on the market. The PRS-T1 weighs less than six ounces. That's lighter than a paperback. Plus its slim curved profile makes it easy to hold.

Earnestly Reading

WHILE LIVING IN GERMANY, I used to read Johann Wolfgang von Goethe in the language of my forebears and it was comforting.

While living in Kilkenny, I often found German emanating from the local paper in pieces written by Josephine Gräfin Plettenberg. Today, I return to Goethe, in words written inside the cover of my 2012 Moleskine.

Then indecision brings its own delays, and days are lost lamenting over lost days.

Are you in earnest? Seize this very minute.

What you can do, or dream you can do, begin it.

Boldness has genius, power and magic in it.

Thanks to my endearing relationship with my Kindle, I've rekindled my love for voracious reading and without asking Pinterest about books. I want to have the mental discipline to think about advice sitting inside the memory of my Kindle when I get wound up by little things at work. That mental discipline extends from reading earnestly, not reading only professional tomes.  So I'm back with my long read. I dive into biographies. I've discovered free adventure titles in e-book form. I've started to enjoy an intensive journey into myself, following characters on electronic pages I can keep tucked away on my Kindle.

Life is good.

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My photo of books on my shelf and a candy bar from home. The Google query "Are you in earnest" returns 82.5m results, 90 from my personal network and one in my Evernote stash.

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Four Year Old iBook Creator

SINCE OUR FOUR-YEAR OLD has better tap-and-move coordination skills than her parents, we're letting her put together her first epub by using Book Creator on the iPad. If she doesn't get bored with the process, we'll keep using the app.

The problem I'm facing lies in media rights management. Our four-year-old lives inside a world she has created with friends named Lola, Charlie, Homer, Bart, Lisa, Maggie, Ben, Holly, Barney, Peppa, and Dora. Creating a digital album of Mia's world by using the faces of her digital friends will walk us right into a copyright crossfire and probably would result in Mia's iBook being tossed out of the public iBookstore. We're happy enough to have a title sitting in our own bookshelf and in trying to share Mia's Book with cousins across the pond. In the meantime, Book Creator on the iPad has shown me that it's possible to incorporate Apple's iBook format on our third level epublishing curriculum without buying a suite of Macs.

Adventures in ePublishing

I HAVE WADED INTO the waters of e-publishing and believe I will have a result within 10 days of laying down my first cursor on text.

The focus of my work involves taking products that are in one format and giving them a more compelling look for Kindle. Alongside a small group of clever students in LIT-Clonmel, I'm using Adobe InDesign, Calibre, Acrobat Pro and several web services. The most important deliverable I've set in the audio clip below concerns the business intelligence of e-publishing. I want students to tell me the business value of the processes we will master during the next three months. It doesn't make sense to learn a skillset that has no appreciable value for management. Through a series of set pieces, I want these talented students to produce business and commercial value through e-ink. I've eight main areas that I believe merit practical academic exploration.

Adventures in ePublishing

Watching Disruptions in Publishing

ALONG WITH A TEAM of third level students from the Limerick Institute of Technology, I listened to editor Eoin Purcell describe how electronic publishing is disrupting the print industry. I brought my Kindle to the table and listened.

Just before Christmas, I learned how Random House, the USA's largest publisher, was getting 20% of its U.S. revenue from digital sales. Every week Amazon tells me about another author who reached the million mark in Kindle e-book sales. In the middle of January, six of the top 20 titles on USA Today's Best-Selling Books list were e-books. Barnes and Noble looks to its Nook to strengthen the weakening bottom line of its traditional outlets. This is a watershed year for e-books and we're teaching students how to create for this emergent market.

Tina Jordan of the Association of American Publishers says that a best-selling title from a branded author can run upwards of 30% to 40% in digital sales. That's interesting for me as I look around and encounter students who want to have many choices in reading formats and ease of buying. Anecdotally, I see a migration by students away from hard covers and into e-books whose pages they can print on demand. At home, I watch my four-year-old daughter read from memory the iPad stories that can read to her when the audio is turned on.